The third episode of season seven of The Clone Wars entitled “On the Wings of Keeradaks” has arrived and continues the story of Rex, Anakin and Clone Force 99 as they attempt to recover Echo and prevent his mind from being used by the Separatists to further their war efforts. The emotional crux of this four-episode arc, as shown in the unfinished versions several years ago, is the relationship between Rex and Echo. The best parts of this episode aren’t related to the action or more technical components of its creation, but, rather, the tragedy in seeing Echo’s transformation and the reemergence of his brotherly bond with Rex. However, these emotional beats are often sacrificed in favor of more gorgeous looking action. In particular, the role of Clone Force 99 seems to have been reduced greatly, with their character dynamics being utilized for humor, narrative progression, or action, as opposed to exploring more nuanced differences between them and the other clones. This isn’t necessarily a bad thing, especially given the impressive visuals on display this season. But, for those who realize prioritize the interpersonal dynamics on display in The Clone Wars and aren’t that moved by the action set pieces, this episode may be a little lacking.
Speaking of the action, long-time Clone Wars and Rebels director Bosco Ng once again excels in this department. This is best exemplified in this episode in an Indiana Jones-esque sequence in which Anakin, Rex and Clone Force 99 are trapped in the middle of a massive bridge between two groups of droids on either end of the bridge moving in on them. Not only is this scene visually stunning, but the tension built up through dialogue, sound design and music help to make this scene truly memorable. The episode’s climatic battle further highlights the impressive action in this episode, with all of the characters demonstrating their unique, individual strengths on the battlefield.
Although it wasn’t explored too deeply in this episode, the reintroduction of Echo provided some great moments. In particular, Rex’s speech to the natives about what the Techno Union did to Echo encapsulates many of the horrors of war seen in this show, which, coupled with insights yielded from other episodes throughout the show, suggest that both sides are responsible for the severity and brutality of this war to some extent. The last moment of the episode is a great tease for the fourth and final episode of this arc, with audiences who have not seen the unfinished version left guessed as to what will happen next in regards to Echo. All in all, this was another good episode of The Clone Wars, despite a disproportionate emphasis on action as opposed to meaty character moments as the previous two episodes of this season has given us. Check back next for our review of the final episode of The Bad Batch arc!
Images courtesy of Lucasfilm, Disney, and Disney Plus
The seventh season of The Clone Wars continued with “A Distant Echo,” the second installment of this four-episode arc featuring Rex, Echo and Clone Force 99. As noted in the review for last week’s episode, for many people, the major story points and character developments in this episode are already known given the unfinished version of the episodes were released in April 2015. However, the added scenes featuring new, poignant character moments in these episodes, in particular A Distant Echo, are, to quote Sheev Palpatine, a “surprise to be sure, but a welcome one.” This is best exemplified during Anakin’s communication with Padme and the way in which Rex covered for his general as to avoid Obi-Wan discovering this relationship. For starters, it was great to see Padme so early in the season, which was an unexpected surprise. Although Padme, like Anakin, in The Clone Wars takes a little getting used to given how she acts and sounds differently than Natalie Portman’s portrayal of the character in the prequels, Padme became a really interesting character in the series, especially when her character was used to expand on some of the political machinations of the era. This scene did not delve much into politics, however, but was a touching moment between husband and wife that emphasizes the strength of their relationship and the tragedy of its downfall in Revenge of the Sith. This scene was also noteworthy as it is probably the most explicit mention of the fact that Rex and Obi-Wan know about Anakin and Padme’s relationship. While this is played for humor in the episode, other Clone Wars episodes and even Revenge of the Sith subtly touch on the disturbing notion that Anakin did not trust or feel comfortable enough with Obi-Wan to tell him about Padme. All in all, the additions to the episode, in particular the interaction with Anakin and Padme, were highlights. The actual story of the episode continues to be a really interesting arc. The mystery surrounding the origins of the algorithm predicting the Republic’s battleplans was resolved (slightly) at the end of the last episode, but to see this mystery elaborated on in this episode, including the big reveal of Echo at the end, were really well done.
Overall, the show has done a great job over the years of portraying a war that we all know the outcome to and that, for all intents and purposes, is entirely manufactured by Darth Sidious for his own insidious ends in a really interesting, unpredictable way. One wouldn’t think that an episode about a seemingly minor battle near the end of this three-year long war before Revenge of the Sith would be that intriguing, but the show is written in a way that the audience is truly invested in the developments of the characters during this time and how each event subtly or overtly leads up to the impending doom seen in Revenge of the Sith.
Expanding on what was said last week regarding the visuals, this episode of The Clone Wars continues to impress aesthetically. The movement is smooth, the environments are textured, and the facial features are textured. The refined facial animation actually reminded me a little bit of Spider-Man: Into the Spider-Verse’s animation, which was impressive to say the least. Once again, the action was executed really well, in particular the final action sequence in which Clone Force 99, Rex and Anakin were fighting a barrage of droids in a hallway. Yes, these are sequences some of us have previously seen in an unfinished version, but they really come to life with such precision in animation. Kevin Kiner’s score was also superb in this episode. Kiner’s themes throughout The Clone Wars are underrated and it would be great to see him given a shot at providing the score for a TV show or even a movie down the line. Regarding negatives, this is a criticism I have about some episodes of The Clone Wars overall – sometimes certain episode arcs feel like they warrant less episodes than they’re given. For example, this arc spans four episodes, but could probably be told just as effectively and more concisely in two, maybe even three, slightly longer episodes. Once again, a broader criticism of The Clone Wars, but I’d like to see more Jedi than Anakin and Obi-Wan. Obviously, this episode lends itself to that given Anakin’s journey and relationship with Rex, but it would be interesting to center episodes around the perspectives of more Jedi during this war.
Overall, this episode is another great installment to The Clone Wars that will definitely please fans of the show. Beyond the stunning visuals, this episode moves this four-episode arc along, culminating in a truly tragic, heartfelt moment, while offering new insights into the relationship between Anakin and Padme and the extent to which others are aware of this relationship, which has implications moving forward. Hopefully the next two episodes of this arc add new scenes like this as they add depth to the story and characters. Check out our review for the third episode of Season 7 of The Clone Wars “On the Wings of Keeradaks” next week!
At last, the long-awaited Project Luminous has finally been revealed as Star Wars: The High Republic, a series of comics, books and more set approximately 200 years before The Phantom Menace. Debuting this August, this publishing campaign will feature adult, teen and children’s stories from an array of publishers, including Marvel, Disney Lucasfilm Press, Del Rey, and IDW Publishing. Starwars.com notes that no currently planned films or TV shows will be set in The High Republic as to give the authors of these new works creative freedom to explore the characters and stories they want with fewer restrictions.
Star Wars: The High Republic will primarily follow a “group of heroes,” who are part of the Jedi Order at their peak power in the galaxy. The Jedi are akin to “Jedi Knights of the Round Table,” with the King Arthur legend clearly serving as an influence. The inspiration came from Ben Kenobi’s quote in A New Hope, “For over a thousand generations, the Jedi Knights were the guardians of peace.” The High Republic is this era in which the Jedi Order guarded the peace, and these stories will delve into this deeper.
The emphasis is not only on Jedi in these new stories, however, as bounty hunters, smugglers and scoundrels will also feature in leading roles.
The villains in The High Republic will be the Nihil, referred to as “space Vikings,” a collective of pillagers from different species and homeworlds. The story will begin after a galaxy-impacting event known as The Great Disaster.
The High Republic era was first referenced in the Dooku: Jedi Lost audiobook, before also being mentioned in Charles Soule’s Star Wars 2 and The Rise of Kylo Ren 2.
The initial projects set within this era will be written by a range of seasoned Star Wars writers, including authors Claudia Gray, Justina Ireland, Daniel José Older, Cavan Scott, and Charles Soule. Their projects include:
⁃ The High Republic: Light of the Jedi by Charles Soule (Adult novel)
⁃ The High Republic: Into the Dark by Claudia Gray (Young adult novel)
⁃ The High Republic: A Test of Courage by Justina Ireland (Middle grade novel)
⁃ The High Republic Adventures by Daniel José Older (IDW Publishing comic series)
⁃ The High Republic by Cavan Scott (Marvel comic series)
The High Republic era will kick off this August at Star Wars: Celebration Anaheim, where I’m sure there will be further announcements about future High Republic projects.
Concept art and news courtesy of Lucasfilm, Disney, and Starwars.com
Hearing Tom Kane’s booming voice introduce us to “The Bad Batch” was all we needed to get us prepared for and invested in the seventh and final season of The Clone Wars. This first episode of the season felt different than premiere episodes for previous seasons of The Clone Wars, Star Wars Rebels, Star Wars Resistance, and The Mandalorian in that this episode was first seen with unfinished animation almost four years ago when it debuted at Star Wars Celebration and was soon thereafter released on starwars.com. Regardless of the extent to which the plot, character dynamics and mechanics of the episode were previously known to people who viewed the unfinished episode years ago, “The Bad Batch” was a thrilling, well crafted, intelligent installment of The Clone Wars.
From a technical standpoint, the episode is visually stunning. Every season of The Clone Wars progressively improved in regards to the animation and this season is no exception. The updated animations look incredibly detailed and smooth, a far cry from the imagery of the original Clone Wars film released back in 2008. While The Clone Wars as a show overall often leans a little too heavily into action, perhaps spending too much time in some action sequences, this episode balances intelligent story telling with engaging action that takes a different approach than some previous episodes. The build up to the action takes a slower pace at times and the music often cuts out in order to build tension with silence and subsequent warfare. This is best demonstrated near the end of the episode when Clone Force 99 and the other troopers raid the Cyber Center and the ‘camera’ continually tracks the action from the moment they enter the complex deep into the battle. Beyond the action, as demonstrated by some of the more recent trailers we’ve seen for this season, the character designs are once again really impressive. The detail rendered onto Rex’s face when he speaks to Cody about Echo or when Anakin asks Rex if he’s not telling him something, and countless other moments in the show are a huge improvement of already great looking previous seasons of the show.
The episode excels, however, in its character moments. The brotherly dynamic between Rex and Cody, Rex’s mourning of his old squad, and the combative attitudes of the different clone squads are all highlights in this episode. One of the best things to come out of The Clone Wars overall are how it has made clone troopers actual characters, rather than mindless soldiers blindly following orders. This is a pattern that began in the very first episode of the first season of The Clone Wars and has continued ever since. It has always been a strength of the show, to highlight the clones’ reactions to the war, their unique personalities, relationships with the Jedi and others, etc. This episode provides us with some of the best clone interactions of the show yet and something we’re looking forward to seeing more over the next several episodes in this arc.
Without spoiling the ending of the episode for those who haven’t seen the 2015 unfinished version of the episode or this newly released version yet, the way in which the episode ends is a really intriguing cliffhanger moving forward. I don’t have many substantial complaints about this episode overall. If I’m nitpicking, I would say that it’s a shame that this season is only 12 episodes and 4 of those will be stories we’ve already covered with the unfinished versions released previously, especially given the fact that these episodes are only 22 minutes long approximately and are released weekly. This isn’t to say these episodes can’t still surprise us – “The Bad Batch” changes things up slightly, in particular the scene at the beginning in which Rex talks to Cody about Echo. But, either way, it makes me eager to see more of the new stories we haven’t seen yet, in particular the ones that breach into events covered in Revenge of the Sith as teased in the trailer. Overall though, it’s nice to welcome back The Clone Wars for a final season. Season Five did not naturally conclude and, even though Season Six was great at trying to wrap up many plot lines, it’ll be nice to have the rest of the Clone Wars fully fleshed out in order to conclude lingering plot and character arcs and seamlessly lead up to Revenge of the Sith and the fall of the Jedi. Looking forward to the next installment of this amazing show that is The Clone Wars and, if it’s anything like this premiere, we’ll be more than happy.
Two months to the day since the final chapter in the Skywalker Saga arrived in theaters, Lucasfilm have now given fans a taste of what will be on the home release of the film. Releasing March 17th on Digital HD and March 31st on Blu-Ray, fans will be treated to a variety of extras and bonus content, including a feature length documentary titled “The Skywalker Legacy”, detailing the making of the film, something that Star Wars fans have come to expect after the home releases of The Force Awakens and The Last Jedi. There are plenty of other extras, including a feature detailing Warwick Davis’ return as Wicket, along with his son Harrison (we’ve included a full list below). However, there’s still no word on any deleted scenes being included. For US fans, there are a few different retailer exclusives on offer, including a 4K UHD Steelbook Edition, which comes with 4K, Blu-Ray, and DVD discs from Best Buy. Over at Target, buying the 4K disc can also get you a Gallery Book, which dives further into the word of The Rise of Skywalker and Star Wars as a whole.
The Skywalker Legacy: The story lives forever in this feature-length documentary that charts the making of Star Wars: The Rise of Skywalker.
Pasaana Pursuit: Creating the Speeder Chase: Dive into the making of the movie’s epic landspeeder chase and discover how this spectacular sequence was brought to the screen.
Aliens in the Desert: See what it took to create the Pasaana desert scenes, from the sheer scale and complexity of the shoot to its colorful details.
D-O: Key to the Past: Explore the ship that connects Rey to the mystery of her missing parents and get to know the galaxy’s newest, irresistible droid.
Warwick & Son: Warwick Davis, who played Wicket in Star Wars: Return of the Jedi, dons the Ewok costume once more; this time joined by his son Harrison.
Cast of Creatures: The team behind the film’s memorable creatures reveal the puppetry, makeup, prosthetics and digital magic that bring them to life!
The Maestro’s Finale (Digital Exclusive): Composer John Williams reflects on his body of work for the Star Wars saga and shares insights on scoring Star Wars: The Rise of Skywalker.
Prior to the release of the prequel trilogy, the central question fans wanted the new films to explore was: why and how does Anakin turn into Darth Vader? And, while the prequels and subsequently The Clone Wars, offer valuable insights into this question, the answer is not directly, explicitly provided to fans on a platter. For better or worse, and to the dismay of many fans, the answer to this question requires more inference and extrapolation. On the surface, and as many Star Wars fans have argued, Anakin’s turn to the dark side may come across as weakly written in that the prequels, in particular Revenge of the Sith, fail to truly demonstrate how a seemingly good-hearted young Jedi very quickly progressed into a slaughterer of younglings and remained allied with Darth Sidious, despite an abundant failure to keep Padme alive. This is why we thought this would be an interesting topic to explore in this week’s blog post.
Reason #1: Palpatine manipulated Anakin to turn to the dark side.
This is perhaps the most clear explanation as to why Anakin lapsed into the dark side and evolved into Darth Vader. As has been demonstrated in his extremely detail-oriented, calculated plans to instigate The Clone Wars as a means to eventually gain more power and his similarly calculated, longitudinal plans to manipulate Ben Solo into becoming Kylo Ren, Palpatine is clearly extremely intelligent and plans everything out meticulously. If and the extent to which Palpatine was involved in Anakin’s birth remains a mystery, but, from his concluding line in The Phantom Menace in which he states to young Anakin, “We’ll watch your career with great interest,” Palpatine clearly exhibited an early interest in the prophesized Chosen One. Palpatine capitalized on the insecurities of Anakin losing his wife Padme, as he lost his mother Shmi, and, with the now infamous opera house scene, planted the seed in Anakin’s mind that the dark side of the force is home to a number of abilities “some consider to be unnatural.” Anakin’s attachment to and debilitating fear of losing Padme is the central motivation for his eventual fall to the dark side. He knows that the atrocities he will have to commit, including killing Mace and younglings and maybe even Obi-Wan, are necessary steps to delving deeper into the dark side, aligning himself closer to Palpatine, and learning these abilities from Palpatine in order to save Padme. Anakin explicitly states as much in Revenge of the Sith when he says, “Just help me save Padme’s life. I can’t live without her.” Many take issue, however, with the fact that Anakin remains as Darth Vader and, therefore, remains evil after killing Padme. In other terms, it may make sense that he turned evil in order to turn learn abilities to save Padme’s life, but why would he stay evil if this very pursuit led to her death? That’s where the other reasons to come in…
There are shards of anger that shine through Anakin’s personality throughout the prequel era. From his outbursts about Obi-Wan to his vocal disapproval of the Jedi’s perceptions of attachment to his slaughter of Tusken Raiders to his brutal interaction with Clovis, Anakin often reacts to situations with aggression. And, like his son Luke, also reacts to situations with impulsivity, a failure to take a measured approach to calculating the benefits and pitfalls of actions. All of this is important to understand Anakin’s fall to the dark side as it’s not that these personality traits alone led to his transformation into Vader and betrayal of the Jedi order, but, rather, these personality traits make Anakin vulnerable to falling into Palpatine’s trap and poorly reacting to negative his events in his life. Without these underlying vulnerabilities in his personality, maybe Anakin would have been able to see through Palpatine’s lies and deal with his dismay over the Jedi’s values and his fears about losing Padme more productively. This is a core difference between Anakin and Ahsoka. On paper, Ahsoka has every right to turn to the dark side, or at least against the Jedi, as they swiftly cast her aside with little consideration for her perspective on things and tried to repair the relationship when it was too little too late. Unlike Anakin, Ahsoka did not react to the Jedi’s ways with aggression, but, rather, still stayed on the side of light, just not aligned with the Jedi. It’s the fact that she doesn’t have these underlying personality traits that she doesn’t respond to the Jedi’s actions with violence and aggression, like Anakin did. So, overall, Anakin’s aggressive and impulsive personality played an integral, underlying role in his path to the dark side.
Reason #3: A wish for a more just world
Coupled with these underlying personality vulnerabilities are core events in Anakin’s life that he reacts to in negative ways, none more evident than the enslavement and death of his mother. Anakin tells Padme in Attack of the Clones that he disapproves of the constant deliberation of a democracy, that someone intelligent should be able to unilaterally make good decisions on behalf of the galaxy to swiftly and sufficiently bring justice. When Padme says this is like a dictatorship, Anakin disagrees, almost viewing such control as necessary to bring justice to an unjust galaxy. An unjust galaxy that led to the enslavement of his beloved mother and eventual torturous death. Uniquely, Palpatine also shares these values, but for different reasons. This is a core component of their alliance – the belief that a “just” or “good” world can only be achieved through the unilateral control of one person.
Reason #4: The Jedi’s mistrust and conflicting values
With Palpatine pulling the strings, underlying personality traits, and a distorted view of how to bring justice to the galaxy, Anakin’s transformation still doesn’t fully make sense. That’s why his perceptions of the ways in which the Jedi order treated him is a key final step to his transformation to Vader and why he continues to be evil long after their destruction. First, there are the conflicting values between Anakin and the order. Anakin values attachment, to Shmi as a mother, to Obi-Wan as a brother and father-like figure, to Palpatine as a mentor and father-like figure, and most of all to Padme as a wife and future mother of his child. However, as he stated in Attack of the Clones, attachment is forbidden by the Jedi as they believe it will lead to the fear, anger, frustration and suffering associated with the Sith and the dark side. And while, in the case of Anakin, this is true, future information about the Jedi from Luke in The Last Jedi, Rey in The Rise of Skywalker, Palpatine in the Darth Vader comics and other canon sources show that, perhaps, the Jedi were misguided in how bluntly and definitively they rejected attachment. Perhaps, there was a healthy middle ground for Jedi to experience attachment without being all-consumed by it. But Anakin suffering under this discrepancy between his values and the Jedi’s. He desperately wants to be a Jedi and progress in the order, but at the same time desperately wants to be with and take care of his wife and his future family. Ultimately, this became a choice for Anakin and a choice that, ultimately, led him to the dark side. And, while well intentioned, the Jedi were arrogant – assuming they had all the right answers, that their rules were perfectly constructed and thus not up for debate, and, in their hubris, assuming they had a right to everything related to the Force. This is key to Anakin’s journey as he feels as if they are hiding secrets related to the Force and potential ways to save Padme from “certain death,” as he states to Palpatine in Revenge of the Sith. These things about the Force they’re not telling him is one of the core reasons Anakin turns to the dark side. If Anakin is endlessly devoted to saving Padme, the Jedi are apparently depriving him of ways to save Padme, and Palpatine is offering him a definitive way to save Padme, then it makes sense why Anakin would turn to the dark side, sacrificing his allegiance to the Jedi and doing the necessary evil in order to turn to the dark side and learn the abilities to save Padme.
Explaining why he continues to remain evil after Padme dies is the fact that Anakin feels as if he could’ve saved Padme if the Jedi had told him how to save her initially, making his allegiance with Palpatine pointless. If they divulged their secrets, he could’ve saved Padme, prevented her death and it would never have led to the destruction of the Jedi order. However, Anakin believes the Jedi did not trust him. Mace often acts antagonistically toward Anakin, Yoda and others questioned his Chosen One status and Anakin doesn’t take kindly to some of Obi-Wan’s overreaching mentoring style. Their growing distrust of Anakin and his relationship to Palpatine once again puts Anakin at odds with himself internally, caught in the balance between his loyalty to the Jedi and his loyalty to Palpatine, much like he is caught between his dedication to saving Padme and dedication to the Jedi Order. These conflicting values and sentiments directed toward Anakin from the Jedi further emphasize how he turned to the dark side.
Overall, Anakin’s turn to the dark side is a multilayered process that requires a lot of inference and interpretation. While the prequels could have done a better job fleshing out Anakin’s reasoning, fan interpretation and a wealth of canon materials since the prequels, including The Clone Wars, have added to his character substantially and made his transformation more logical and reasonable. Ultimately, Palpatine identified Anakin from a young age as a boy powerful in the Force and one he could manipulate into being his apprentice when he eventually took over the galaxy. Palpatine preyed on Anakin’s deepest vulnerability, his fear of loss, and this, coupled with already inherently aggressive and impulsitivity, set the stage for his transformation. On the other side of things, Anakin’s allegiance to the Jedi was dwindling as he thought they stood in his way of saving Padme and were wrong in their beliefs about attachment, in addition to their visible distrust of and doubt in Anakin. This culminated in Anakin siding with Palpatine in a desperate effort to save his wife, sacrificing many Jedi in the process in order to ensure Padme’s safety. When she died, Anakin’s personality traits and sentiments toward the Jedi did not go away. He was still fearful, angry, impulsive and he still hated the Jedi for forbidding his relationship, never truly trusting him, failing to intervene with Shmi, and preventing him from learning abilities that would’ve saved Padme. In the end, this culminated in Anakin’s transformation into Vader. Anakin’s arc is central to the Skywalker saga and one that is really interesting to explore and interpret. This is just one interpretation of his journey. There are many more that could shed light on arguably the most interesting character in Star Wars. Thanks for reading and may the Force be with you!
Many have started predicting some of the major plot arcs in the upcoming seventh season of The Clone Wars. The siege of Mandalore. The abduction of Palpatine. Order 66. All of these and many more are really interesting and are making us anticipate February 21 when we can (finally) start watching more of this amazing show. And although we can make predictions about season seven, there is still plenty more to explore and expand upon in canon this season. That’s why we wanted to dedicate this blog post, not to going over what we think is likely to happen in season seven, but a character we would love to see in the new season: Han Solo.
As seen in early concept art of Revenge of the Sith, George Lucas played around with the idea of a young Han showing up on Kashyyyk with Chewbacca during the Clone Wars. While this idea didn’t matriculate given Lucas’ shift to focus more on Anakin’s journey in the film, it’s completely possible that a young Han could appear in The Clone Wars. Han was born approximately 32 years before the Battle of Yavin and the Clone Wars began 22 years before the Battle of Yavin, making Han approximately 10 years old at the time of the war’s onset. Solo: A Star Wars Story and the Imperial Cadet series add substantially to Han’s back story, but, prior to his involvement in the criminal gang White Worms and fellow scrumrat Q’ira, there’s relatively little information about Han. We know his father worked in the Corellia shipyards building freighters. Corellia’s role in the galaxy during the Clone Wars is relatively vague in canon as well. In the Old Republic era, Corellians exploded and colonized the galaxy, but their next substantial inclusion in canon is during the era of the Galactic Empire. It is entirely plausible that the war reached Corellia in some way. It is plausible that the Republic or the Separatists ventured to Corellia for some reason during the war, potentially to access their shipyards. It is plausible that a band of clone troopers got stranded on Corellia during the war. Regardless of how the war, and therefore the show, could reach Corellia, if it does, Han and his father’s inclusion seems natural. Given Han’s stance on the Force in A New Hope, it wouldn’t make sense for him to bump into Jedi or Sith or any Force-sensitive individual during this time. But, given how far reaching the war is, Han’s inclusion is entirely possible and something we’d love to see. We’d like to think that more of Han’s pre-Q’ira backstory would’ve been explored in Solo sequels (fingers crossed for a Disney+ show!), but the Clone Wars is a really interesting platform to shed a little light on Han’s childhood, his relationship with his father, and a pre-Galactic civil war Corellia free of the oppressive empire. Han mentions his father in Solo and the Imperial Cadet series by saying he wasn’t close to him, that he took him to the shipyards one day, and that he said he’s destined to fly, rather than to build ships. Little moments like this would be really interesting to explore in the broader context of the Clone Wars in a story still relevant to the central arcs of the show. It would also be a poetic tribute to a concept Lucas played around with by finally including Han in the Clone Wars.
This is by no means a prediction or an expectation, but just something we thought we’d throw out there to see what others think. Han is one of the most beloved characters in the Star Wars saga and his inclusion in future projects, including The Clone Wars, is something we’d welcome with open arms.
Welcome to the Star Wars Holocron blog! This is a place where we’re going to share some of our thoughts on the latest in everything that is Star Wars. Amidst The Rise of Skywalker, The Mandalorian season 1, Jedi: Fallen Order, and a slew of announcements and canon novels and graphic novels, 2019 was a hallmark year for Star Wars, introducing new characters and tales into canon, while expanding on previously established adventures. One of the things we liked the most from the past year in Star Wars were the themes explored in The Rise of Skywalker. In particular, how this film firmly felt like it was Rey’s story. The marketing material for The Force Awakens purposefully kept who the protagonist of the new trilogy was a little bit of mystery (Finn, Rey, maybe Poe?), and the film is largely dedicated to both Finn and Rey’s stories. The Last Jedi, conversely, emphasizes the dynamics between Rey and Kylo, with Luke’s influence on the both of them being integral to the story. The Rise of Skywalker, however, affirmed that this story of the sequel trilogy is firmly Rey’s story. Some people have found issue with Rey’s parentage reveal in The Rise of Skywalker and we completely understand and empathize with these concerns. However, we think that Rey’s parentage fully fleshes out her character in a truly unique way. Rey’s entire arc in the sequel trilogy has been about belonging, a theme not as emphasized in the previous two trilogies. In The Force Awakens, Rey desperately seeks belonging from a family who would never return. This belonging shifted to Han Solo temporarily as a father figure and mentor, but his passing concluded that. In The Last Jedi, Rey desperately seeks belonging from Luke, a mentor she hopes will not only save the Resistance from certain defeat in the face of the First Order, but will provide her with the support and guidance she longs for. However, his disillusionment with the involvement of the Jedi in galaxy affairs and ultimate sacrifice to save the Resistance stunted any chances of this belonging. In The Rise of Skywalker, Rey finally finds some of the belonging she has hoped for in her master, Leia. Once again, however, this belonging is seemingly short-lived. She feels a dark presence within her that she can’t quite define, or that she doesn’t want to define, and needs to go on a mission with her friends to prevent Palpatine’s second takeover of the galaxy. This pursuit of belonging culminates in the reveal that she is Palpatine’s granddaughter. Rey desperately sought belonging in some longstanding, enduring, supportive way, but this is not the belonging she envisioned. The Last Jedi provided a difficult answer to Rey’s issue of belonging, that her parents are no one, but The Rise of Skywalker takes this a step further and questions Rey’s belonging to an even more disturbing, frightening degree. This is why the ending of The Rise of Skywalker is so poignant, as it not only resolves the more surface-level conflict of the sequel trilogy (The Resistance vs. The First Order), but it resolves the core conflict of the trilogy’s protagonist – a lack of belonging. In choosing the Skywalker name, Rey is not letting what came before her (her parents’ decision and Palpatine himself) or what has happened to her in her life shape who she is. Rey’s autonomous, unilateral decision to claim the Skywalker name and, finally, find the spiritual belonging she has always sought with the spirits of Luke and Leia supporting her is why The Rise of Skywalker is so powerful. The Skywalker bloodline may be eradicated with the death of Ben Solo and Leia in the film, but Rey is as much a Skywalker as Anakin, Luke, Leia or Ben ever were as this is a family she chose and a family that chose her. It is important to note that this is just one perspective on The Rise of Skywalker and the sequel trilogy more broadly. People are free to hold their own opinions on the different facets of Star Wars, which is why Star Wars is so interesting. If you ask 100 people what they enjoy most in Star Wars, you’ll get a 100 different answers, emphasizing how diverse Star Wars is relative to other franchises. This is just one of many interpretations of Rey’s arc in The Rise of Skywalker. Thanks for taking the time to read this! Always interested in fellow fans’ thoughts about different aspects of Star Wars. May the Force be with you all!