Star Wars Holocron

Why Taika Waititi is the Perfect Director to Lead the New Star Wars Film

by @holocronJulie for @sw_holocron

Academy Award winner Taika Waititi (Thor: Ragnarok, Jojo Rabbit, The Mandalorian) was recently announced to direct and co-write an upcoming Star Wars film. And, as such, we thought this would be a great time to explore why Waititi is a perfect choice to lead Star Wars into the future. With the conclusion of The Rise of Skywalker, it feels like wave one of the Disney era Star Wars films has drawn to a close. Ushering in a new era of films and a new direction for the franchise now that the Skywalker Saga has concluded is a daunting task, but one that we think Taika Waititi is expertly prepared for. Here are 3 reasons why we think so:

1. Experience in the Star Wars Universe

Taika Waititi’s involvement in Star Wars began with The Mandalorian on writing and directing the season finale finale, in addition to voicing IG-11 in the show. This introduction into the Star Wars universe is vital in showing that Waititi is more than well equipped to tackle subsequent Star Wars adventures. Waititi directed the episode with such precision and a unique vision, while simultaneously infusing his own unique vision into the episode. Although there are a wealth of acclaimed directors who would love to lead a Star Wars project, it’s encouraging that Lucasfilm is hiring someone who has already expertly navigated a Star Wars and shown what they can bring to such a project.

2. Expertly Blends Action, Humor, and Drama

There are few, if any, directors out there who carefully strike the balance between action, humor, and drama. Sometimes too much humor can bog down an otherwise dramatic, moving narrative. Other times, a movie may be filled with such relentless action that it renders the drama and humor ineffective. Taika Waititi across his diverse range of films has already demonstrated that he can intelligently blend these facets of storytelling. Jojo Rabbit most recently exhibited this facet of Waititi’s skill set, delivering an emotionally powerful, heartbreaking tale amidst a relentlessly funny movie. Star Wars has a long standing tradition of similarly blending humor and action. From A New Hope to The Phantom Menace to The Force Awakens, Star Wars is continually able to produce hilarious moments and character dynamics, while also conveying some jaw dropping action. Waititi demonstrated this pattern in the finale of The Mandalorian, as exemplified by the great opening banter between two Scout Troopers and the emotional sacrifice of IG-11 to save the child. To execute this properly requires paying deep attention to the delicate balance of humor and action, laugher and suspense, etc. This is something that Waititi showed in Thor: Ragnarok, as that film has moments of great humor, such as “He’s a friend from work!”, yet also the tragic death of the title character’s father, Odin. Jojo Rabbit also exemplified this as a movie full of cutting edge, offbeat jokes, but a final act that is so emotionally moving.

3. A Unique Vision and Style

After the end of the Skywalker Saga, Star Wars is in a new age of films, one where creativity is paramount to the continual success of the overall franchise. With Thor: Ragnarok, Waititi demonstrated his truly unique vision, one that is completely different from any other director or writer working in Hollywood today. Ragnarok exemplifies sheer creativity, taking a character in Thor that was previously thought of as bland and average and injecting new found humor and flat out weirdness, making him one of the most beloved heroes in the MCU today. Waititi is a forward thinking director, which is exactly what Star Wars needs at this moment in time. New stories will have to be different from the Skywalker Saga in order to stand out and be their own entity, and Waititi has proved time and time again with his filmography that he is the person to do just that.

The news that Oscar winner Taika Waititi is now attached to co-write and direct a Star Wars feature film was met with a warm reception, with most fans completely on board with his hiring. Waititi is incredibly talented in multiple different areas, making him the perfect person to take Star Wars forward. Moreover, his co-writer, Oscar nominated Krysty Wilson-Cairns, is an excellent choice, especially given the awards success of her latest film 1917. Despite no knowledge of the time period that this film will be set in, nor any story information in general, fans will still be excited that Waititi is coming aboard.

Images courtesy of Lucasfilm, Paramount, and Disney+

Star Wars Holocron

REVIEW: Star Wars: The Clone Wars Season 7, Episode 12 – “Victory and Death”

by @holocronWilliam for @sw_holocron

Nearly twelve years after Star Wars: The Clone Wars debuted in theaters, the series’ emotionally powerful and wildly entertaining final episode has finally arrived. As Ahsoka and Rex were caught in the midst of Order 66 at the end of the last episode, this episodes sees the two try and escape the clutches of their former friends and soldiers, while also contending with the presence of Maul aboard their ship.

Shifting back to August 2008, The Clone Wars film was met with overwhelmingly mixed reactions from critics and fans alike. Many cited the introduction of Ahsoka, the childlike humor, and the animation style as key issues with the film. And, while I actually really enjoy the film and find the story quite interesting, it’s understandable that many fans did not respond well to the show’s introduction. Over time, however, the show has become increasingly refined in both its storytelling, tone, and animation to such an extent that the series finale “Victory and Death” is a Star Wars story that can stand alongside some of the best movies.

While other episodes in this arc have traded action set pieces for a slower, more methodical pacing and more dialogue-heavy sequences, “Victory and Death” leans much more heavily into the action, which suits the story perfectly. If “Shattered” was the emotional blow we were all waiting for as we witnessed Order 66 happen from a different, yet similarly devastating perspective, “Victory and Death” is the aftermath of this event. This episode is not about political machinations, or liberating planets, or negotiating deals. Rather, Ahsoka and Rex are driven by a unitary goal – to survive. The desperation and tension infused into every part of this episode are palpable as not only are Ahsoka and Rex trying to make sense of the situation, but they’re also trying to do the humane thing in avoiding killing their former comrades. This was a great dynamic conveyed in the episode as the characters struggled between their relentless pursuit of survival and attachment to their friends turned enemies. Such a conflict was perhaps best portrayed when hundreds of Clones were simply waiting for Rex and Ahsoka to come down from their observation deck. Seeing Rex’s plan to pretend like he was arresting Ahsoka unfold was tense and kicked off an incredible chain of events in the hangar bay that once again tied to that struggle between survival and attachment.

Although we didn’t get much of Maul in this episode, it was still interesting to see his character’s arc in the show conclude, setting the stage nicely for his appearance in Solo as the leader of Crimson Dawn. Maul’s destruction of the hyperspace engines was a visually stunning sequence and added another element to an already intense episode. Not only are Ahsoka and Rex stuck aboard a ship full of hundreds of Clones trying to kill them, but now the ship they’re on has been pulled out of hyperspace and is crash landing on a moon. This added a great sense of urgency to the episode and allowed for a stunning moment where Ahsoka had to choose between pulling Maul back into the ship on one side (visually very akin to The Force Unleashed and The Rise of Skywalker) and saving Rex on the other side.

The final 10 minutes of this episode were some of the most visually breathtaking minutes of any Star Wars story we’ve seen. The notion of the ship crashing onto the surface of the moon after Maul’s destruction of the hyperspace engines was a stroke of genius from Dave Filoni that not only added urgency to the sequence, but also paralleled the Invisible Hand crashing into Coruscant in Revenge of the Sith. The entire sequence was expertly crafted and paced. Ahsoka flying through the sky attempting to land on Rex’s ship neared the intensity of the previous episode’s Order 66 sequence and truly demonstrated how excellent the animation has been this season.

Fittingly, the finale concluded on a more somber note. Ahsoka’s burial of their former comrades mirrored a similar shot from The Mandalorian, albeit serving a different purpose in the story, of Stormtrooper helmets on spikes in the ground. This sequence really symbolized how devastating, traumatic, and tragic Sidious’ plan was and will continue to be for people like Ahsoka and Rex. In one moment, the normality of their lives and the galaxy was destroyed and the only thing Ahsoka and Rex can do right now is mourn and try to acclimatize to the new state of affairs Sidious has installed. Ahsoka looking over the helmets of her deceased friends demonstrated her unwavering compassion in that she still loved and respected her friends, despite what acts of atrocity the Clones were committing across the galaxy. This really cemented a common theme throughout this season – that Ahsoka is a Jedi through and through, exhibiting the purest and most altruistic of Jedi values, even if she isn’t a part of a formal Jedi Order. Not only is this a powerful message and character development for Ahsoka, but it also ties to similar themes in the sequel trilogy as Rey and Luke genuinely exhibit the best of what the Jedi can offer despite no allegiance to a formal Order. In all, the imagery on display in this sequence affirmed that Ahsoka has become one of the most fleshed out, interesting characters in the entire saga – an innocent young Padawan first seen on Christophsis, who, with age and experience, matured and internalized her own values independent of the Order and who, unfortunately, witnessed the complete destruction of the people she was once loved in such a tragic manner despite her best intentions.

And just when you thought the episode pulled enough emotional punches, the last part of the last episode of the last season of The Clone Wars may have surpassed them all. The first appearance of Darth Vader in The Clone Wars was haunting. The ominous silence. The sleek animated rendition of the character. The red glow of his helmet’s eyes. It was heartbreaking to see the extent to which Anakin had transformed and the relationship between Anakin and Ahsoka had fractured because of this. The imagery of Vader investigating the crash site and eventually picking up and igniting the lightsaber he only recently gave to his former Padawan was extremely powerful. The Clone Wars overall seemed like it lacked in regards to adding to Anakin’s transformation to Vader. The show offers moments of his tendency toward the dark side, but, overall, opts to depict a lighter, more jovial and friendly version of the character that feels a little discrepant with the monster in a mask and a suit we see at the end of this episode. But, I think it’s important to note that The Clone Wars isn’t about Anakin, it’s about Rex and Ahsoka. Dave Filoni has said as much on several occasions, emphasizing that Ahsoka and Rex are the main characters, not Anakin or Obi-Wan. In this sense, while it would’ve been great to see more of Anakin’s transformation into Vader through the seven seasons of the show, ultimately, it is the story of Ahsoka and Rex that is central. This is one of many reasons why this last episode feels so fitting to the overarching narrative of The Clone Wars. The show has highlighted many different characters, some we’ve previously seen and others we have not, but it is the lead protagonists in Ahsoka and Rex that fittingly close out the show. And, given that, this moment of a twisted, villainous Anakin approaching the presumed site of Ahsoka’s death felt well earned and fits nicely into the broader Star Wars canon.

And with that, The Clone Wars draws to a close. Across its seven seasons, the show has offered novel insights into beloved characters, but, ultimately, found its strength in fleshing out new characters like Ahsoka and Rex, while simultaneously accomplishing a wealth of world building and setting the stage nicely for the forthcoming events in the Skywalker Saga. This episode excelled in every department – from story, to tone, to vocal performances, to animation, and, most importantly, with the emotions it yields in Star Wars like us. There truly wasn’t a better, more fitting, and more powerful way to conclude this 133 episode show. Overall, The Clone Wars will be remembered for everything it added to canon, fleshing out Sidious’ grand design, some of the amazing stories it told, and definitely the iconic characters it introduced us to like Ahsoka and Rex, while also expanding on existing characters like Maul and the Clones. And to think that this incredible show all spawned from a brief conversation between two characters in a film from 1977. The Clone Wars has shown that possibilities in the Star Wars universe are endless and, in the end, the franchise continues to deliver over and over again.

Score: 9.25/10

Images courtesy of Lucasfilm and Disney+

Star Wars Holocron

REVIEW: Star Wars: The Clone Wars Season 7, Episode 11 – “Shattered”

by @holocronJosh and @holocronGeorge for @sw_holoron

The penultimate episode of The Clone Wars traded much of the series’ hallmark action for one of the most emotionally impactful installments of the show yet. “Shattered” picks up where “The Phantom Apprentice” left off, with Ahsoka, having captured Maul, transporting the former Sith apprentice and leader of Mandalore back to Coruscant. However, things don’t pan out the way Ahsoka intends as Darth Sidious’ grand scheme for galactic domination is finally actualized.

Whereas last week’s predominant theme was tension and suspense, this week definitely prioritizes a sense of dread and impending doom, akin to Revenge of the Sith. There’s a disturbing ‘calm before the storm’ sort of feeling that permeates every scene of this episode before the execution of Order 66. Tense moments of silence and the removal of any background score in several key scenes throughout this episode, in addition to what the audience already knows regarding the unfolding of Palpatine’s plan, fosters this palpable sense of dread that shows The Clone Wars excel when it takes a step back from action set-pieces and funny one-liners.

This sense of dread is infused into the first moments of the episode, with Ahsoka transporting Maul and preparing his delivery to Coruscant. Although they have succeeded and Mandalore has been liberated, Ahsoka senses something is wrong, especially in light of the ominous conversation she had with Maul in the previous episode. Something doesn’t feel right about all of this and the episode does a great job carrying an ominous, suspenseful tone throughout. It is during the aftermath of Maul’s capture that we see Ahsoka say goodbye to Bo-Katan. The transformation from enemies to friends is a theme common throughout Star Wars and how this theme was applied to Ahsoka and Bo-Katan’s relationship was particularly interesting over the course of The Clone Wars. With Bo-Katan’s Clone Wars arc presumably concluding here, it sets the stage nicely for her introduction in Star Wars Rebels. More broadly, this episode subtly set up Mandalore’s role in the Imperial era very well. As the planet has been devastated by coup d’états and internal conflict throughout the Clone Wars, the people of Mandalore look devastated and fatigued by the end of this latest siege. With Republic presence on the planet at this time and the fact that the Republic transitions into the Empire shortly after the Siege of Mandalore, the Empire’s control of Mandalore seems to logically follow.

Upon saying goodbye to Bo-Katan, Ahsoka participates in what may be one of the most interesting parts of the entire episode. The audience is given a retelling of the scene from Revenge of the Sith in which Mace, Yoda, Ki-Adi Mundi, and Aayla Secura discuss their suspicions of the Chancellor. While this scene concludes in Revenge of the Sith after discussing this, the scene in The Clone Wars continues as Ahsoka walks in the room and recounts the proceedings on Mandalore. With the exception of novelizations and adaptations, this is one of the few times throughout Star Wars canon that we see the same moment told in different mediums. It was really cool to see the conversation between the Jedi Council members unfold and then have Ahsoka introduced into the mix, which will surely add to subsequent viewings of Revenge of the Sith. This moment was great in highlighting some of the flaws of the Jedi. In particular, Mace’s demeaning attitude toward Ahsoka and unwillingness to listen to her or apologize for their previous actions demonstrates some of the hypocrisy and distorted selflessness that drove Anakin to the dark side. Scenes like this add so much complexity to the Jedi Order in showing that the war is not black-and-white and that the Jedi’s blindness, hubris and arrogance (things Luke spoke of in The Last Jedi) were partially to blame for the destruction of the Order and rise of the Empire. This scene also offered more insight into the Council’s suspicions of Palpatine. The extent to which the Jedi are aware of Darth Sidious’ plan to play both the Republic and Separtists off against each other and, ultimately, their knowledge of Sidious’ real identity is left ambiguous in the prequels. This episode and other moments throughout the series really cement the fact that the Jedi Council genuinely held well-founded suspicions regarding Palpatine being Sidious. And, if it wasn’t for Mace’s arrogance in this scene, it is possible Ahsoka could have provided them with valuable insights regarding her discoveries about Sidious. This scene concluded with a more solemn moment between Ahsoka and Yoda regarding Anakin. It’s a heartbreaking point at which Yoda clearly feels deeply sorry for Ahsoka’s departure from the Order, but is still willing to support her and be a fatherly presence to her when speaking of Anakin.

It is when Ahsoka begins transporting Maul back to Coruscant that the episode really pulls some of its strongest emotional punches. The moments leading up to the execution of Order 66 are beyond ominous – they are haunting. The silence aboard the ship, the lack of conversation, and absence of music all add to this feeling. The conversation Rex and Ahsoka have regarding the validity of the war soon after is one of the best sequences in the episode. Rex’s discussion on the Clones’ conflicting feelings regarding the war is so powerful and shows the audience just how well the show has developed the Clones from beyond the mindless, identical soldiers we initially saw in Attack of the Clones. Rex continues to play a major part with the proceeding events as Order 66 is executed, kicked off by an amazing subtle shaking and drop of Rex’s helmet. It was great to see Rex try to fight his programming at first and give Ahsoka the slimmest of clues necessary for her to begin uncovering what’s really going on. With John Williams’ score from Revenge of the Sith playing in the background, the aftermath of Order 66 was emotional to watch as Ahsoka had to fight the very people she once saw as friends.

Following this, Ahsoka’s brief collaboration with Maul as a way to save Rex and escape this situation was so entertaining to see. The Maul sequence that followed obviously evokes the iconic hallway sequence at the end of Rogue One with Darth Vader similarly slaughtering soldiers with ease. This was some of the best action we’ve seen in The Clone Wars bar none, with Maul’s strength in the Force and brutality on full display as he breezed past the group of Clones.

The episode concluded with Ahsoka using her newfound information regarding the inhibitor chips to try and rescue Rex. This was an incredibly tense scene, directed, acted and visualized to perfection. The simultaneous saying of “I am one with the Force and the Force is with me” was mind blowing to hear and is another great point of connectivity to other pieces of canon in this season of The Clone Wars. And, as the episode ended with Rex’s recovery and a cliffhanger regarding how Ahsoka and Rex will escape, it was clear this was one of the strongest episodes The Clone Wars has ever delivered.

All in all, this episode was a true achievement from the creators of the show. Linked so well to the events of Revenge of the Sith, this episode provided real insight into concurrent events with Ahsoka, Rex and Maul that not only add to an understanding of Episode III, but are emotionally powerful unto themselves. The episode could have done with being a little longer, with some of the events in Revenge of the Sith seeming to pass very quickly in the episode. While Revenge of the Sith takes place over approximately 10 days, this stretch of episodes seems to occur during a much briefer time and that discrepancy can be a little troubling. Otherwise, this episode was thrilling from top to bottom and will easily go down as one of the best installments of the entire series. It’s safe to assume everyone in the Star Wars fandom is eagerly anticipating what is shaping up to be the best May the 4th of all time, with the complete Skywalker Saga on Disney+, the new Mandalorian behind the scenes series, and, of course, the highly anticipated series finale of The Clone Wars.

Score: 9/10

Images courtesy of Lucasfilm and Disney+

Star Wars Holocron

EXCLUSIVE INTERVIEW: Ashley Eckstein talks The Clone Wars, The Rise of Skywalker, Her Children’s Book, and Playing Ahsoka Again

by @holocronGeorge, @holocronJulie, @holocronJosh, and @holocronWilliam

As The Clone Wars coming to an end with the highly anticipated final two episodes of the Siege of Mandalore arc, we at Star Wars Holocron recently had the chance to speak with Ashely Eckstein, the voice of Ahsoka Tano, to talk about her character, her cameo in The Rise of Skywalker, her new children’s book “I Am Padawan”, and more. 

When asked what fans could expect to see from Ahsoka in the final two episodes of the show, Eckstein had this to say: 

“I will say, just when I thought I couldn’t love Ahsoka more, she continues to amaze me. Ahsoka is just absolutely incredible in this arc. The final two episodes that we haven’t seen yet, she’s just going to continue to blow people away. There’s a reason why I ask myself almost daily ‘what would Ahsoka do?’ because I feel like Ahsoka would always do the right thing and she would always help people. She would always choose the light. She would always choose hope. I don’t want to give anything away, but what she represents and what she stands for, I just admire her so much. It sounds so crazy to admire this fictional character in a galaxy far, far away, but I do, and I think everyone will agree with me after they watch these episodes.”

Eckstein has also played Ahsoka in other Star Wars projects, including making a vocal cameo in The Rise of Skywalker as one of the Jedi voices that Rey hears on the Exegol. Eckstein touched on the behind the scenes process of bringing Ahsoka into the film: 

“When I went in and recorded the lines [for The Rise of Skywalker], it was truly surreal. There were only three people in the room and it was at Bad Robot. Matthew Wood and JJ Abrams were the two other people. JJ could not have been nicer. He walked in and introduced himself and then immediately thanked me for being in the film, and I just couldn’t believe it! I was like, ‘Thank you for letting me be in the film!’ So it was really just a truly surreal session. The lines were already written by the time I got there and I didn’t get them ahead of time. I actually was handed the lines when I walked in the room, and talk about a cold read. I was literally reading the lines for the first time as I was performing them, so I was very nervous! But I actually read all of the lines, so all of the lines that you hear in that montage, I assume that everyone read all the lines and then they just mixed and matched and pieced it together. I will say this, [JJ Abrams] didn’t give me too much direction in terms of how Ahsoka would say it. He left that up to me in terms of how Ahsoka would say it. I read it three different ways. I read it really quiet like a whisper, then a bit louder, and then a bit more powerful. And then that was it. It was about a 20 minute session and it was wonderful.”

Beyond her role as Ahsoka, Eckstein is no stranger to branching out into different mediums within the Star Wars galaxy, having launched her own clothing line “Her Universe” and also writing a children’s book titled “I Am Padawan”, which was released this April. On what drew her to write this book, Eckstein detailed how the opportunity to inspire young kids through Star Wars was of great interest to her:

“I have to say, I wrote it from my own experience because Star Wars has taught me so much. I’ve learned many of these life lessons through Star Wars. And after traveling the world over the past 10 years and meeting a lot of fans of all ages, especially a lot of kids, I found that they’re similar to me. They relate a lot of these lessons that we learn in our everyday lives, they relate them to Star Wars, and especially kids. It’s much more exciting to learn a lesson about bravery or hope or even failure if you put it in the Star Wars context, versus if they’re just learning a lesson about failure with something they did at school, but at the end of the day they’re still learning a lesson about failure which is a very, very important lesson that everyone needs to learn. It’s something that I’ve always tried to do. I’ve always tried to relate kids’ everyday lives through Star Wars, so I really tried to take that approach with this book. I have to say, Lucasfilm called me and asked if I would write this, and I said yes without even thinking faster than anything I’ve said yes to in my entire life (laughs). So the credit goes to them for giving me the opportunity to write it, but I very quickly realized how much a book like this means to kids because I was one of those kids. I grew up on the little golden books. I grew up learning so many of these life lessons because of these books, so I wanted to pay it forward to the next generation.”

Beyond voice acting and book writing, Eckstein is keeping the door open to take on other hats in the Star Wars universe:

“I very quickly realized early on how much Star Wars means to people and I so badly wanted to live up to the opportunity given to me by being the voice of Ahsoka. By being a part of the Star Wars universe, it’s opened so many doors that I never thought would be open to me. I just took the approach of saying yes and seeing where it would take me because these were such truly life changing opportunities. I felt I might as well say yes and I’ll figure it out as I go. I once said I would never write a book and I was okay with that because I just didn’t think I had the talent to do it, and now thanks to Star Wars and Disney, I’ve had the opportunity to write two books. I once thought I’d never write a script or never direct but I will tell you that if I was given the opportunity, I would absolutely say yes just because I feel blessed to be a part of this universe, but it doesn’t come from a place of selfishly wanting to do it. It comes from a place of I see how much joy Star Wars brings to people and I want to continue to do that, so whether it’s through voice acting or whether it would ever be through live action acting or whether it would be directing or writing or whatever it may be. If it gives me the opportunity to continue to bring hope and joy to people, I’ll probably say yes and figure out how to do it later (laughs).”

With The Clone Wars coming to an end, many fans are wondering what’s next for Ahsoka. Although there are rumors that Rosario Dawson will come on board to play the character in the second season of The Mandalorian, the question still remains if Eckstein will ever play the character again after the conclusion of the Siege of Mandalore. On this topic, Eckstein reminded fans that she’s said goodbye to Ahsoka before, and that her reprising her role at some point isn’t fully off the table:

“I have said goodbye to Ahsoka so many times. I think what fans don’t realize is that from the time that Ahsoka walked away in season 5, she wasn’t in the next season very much, so I said goodbye then. Then when [The Clone Wars] was cancelled, I said goodbye to the character and wasn’t sure if I would ever get to come back. Then Star Wars Rebels happened and I said goodbye to Ahsoka then after Rebels ended, and then Forces of Destiny happened and I said goodbye to Ahsoka then. So every single time I’ve said goodbye, she’s always caught me by surprise. I’ll be honest, I said goodbye to Ahsoka after Rise of Skywalker and after Clone Wars and that’s where I’m at now. I’m currently not recording anything, but you never say never. She continues to surprise me and I hope one day I get to voice Ahsoka again.”

We’d definitely like to see more of Ashley Eckstein’s portrayal of Ahsoka in the future. Twelve years ago, the character burst onto the scene in The Clone Wars film to a mixed response from fans, but has since developed to become one of the most fleshed out, interesting, and inspirational characters Star Wars has to offer, much of which is due to Eckstein’s depiction of the character.

Images courtesy of Lucasfilm, Disney+, and Golden Books

Star Wars Holocron

REVIEW: Star Wars: The Clone Wars Season 7, Episode 10 – “The Phantom Apprentice”

by @holocronGeorge and @holocronWilliam for @sw_holocron

Who would have thought that a cool looking, albeit rather simple one-dimensional villain in Episode I: The Phantom Menace would, over the course of 2 television shows, another movie, and comics, become one of the most well developed, complex, tragic, and intriguing characters in the Star Wars saga? Well, by the conclusion of this week’s episode of The Clone Wars fittingly entitled “The Phantom Apprentice,” Maul’s position as a dynamic, interesting character, if it was in any sort of doubt, was affirmed. This week’s episode picked up immediately after last week’s as Ahsoka and Republic forces attempt to liberate Mandalore from the grips of its evil dictator Maul. However, as events settle into place, Ahsoka begins to realize that Maul’s intentions are not as black-and-white as mere control over a planet, but, rather, are tied to a more complex plan to thwart Darth Sidious’ schemes of galactic domination.

One of the core themes of this episode was intrigue, a theme that strongly resonates throughout the prequel trilogy. The audience is privy to information the characters are not and, therefore, know that the events that will soon unfold will have detrimental effects on the galaxy. Meanwhile, the characters, both in The Clone Wars and in the prequels, are trying to put the pieces together, but it is too little too late. This has always been a strength of the prequel era content as it creates a sense of impending doom, tension, and mystery as the Jedi try to uncover the Sith’s insidious plans. This theme is on full display in “The Phantom Apprentice,” which largely centers around discussions regarding Darth Sidious and attempts to uncover his true schemes and identity. These moments of intrigue, such as Ahsoka probing Maul for information about Sidious, Ahsoka and Obi-Wan speaking of the mysterious ways of Palpatine, and Maul later in the episode teasing Ahsoka of the horrible things to come if Sidious’ plan is actualized, are some of the strongest moments in the episode.

Maul and Ahsoka’s conversations about the unfolding events were a particular highlight in this installment. The episode really delved into Maul’s role in Palpatine’s plan and it was great to see Maul put the pieces together on screen regarding the plan, such as realizing Dooku’s true role in turning Skywalker to the dark side. Maul’s discussions on the forthcoming events were truly haunting, as it was evident he opposed Sidious, while at the same time not inherently opposing the plan to destroy the Republic. Maul was resigned to the fact that the Jedi would be destroyed, but still wanted to disrupt Sidious’ plan even slightly by luring Anakin to Mandalore and killing Sidious’ would-be apprentice. This was a great twist and one that was really unpredictable in the episode. After the conclusion of the last episode, it seemed clear that Maul made it known to the galaxy he had retaken Mandalore so that he could reinstate his power and lure Kenobi to the planet to enact his revenge. But Maul had more intricate plans to not only kill Kenobi when he arrived, but to kill Anakin and, in turn, disrupt Sidious’ plan. All of this was great to see and really hammered home how oblivious the Jedi were to the plots of the Sith.


More broadly speaking, “The Phantom Apprentice” continued a really impressive narrative that kicked off with last week’s installment. Everyone’s place in the episode makes complete sense and their motivations are entirely logical, well thought out, and developed. Maul’s multifaceted motives and plan is perfectly portrayed, making a potentially convoluted scheme completely interpretable by the audience, something the prequels didn’t always do. Ahsoka’s journey this season continues to develop well. Her altruistic motivations and reservations about the Republic are on full display, as are her continued suspicions into the political machinations at play and worry for her former master Anakin, who is at the center of all of this. Once again, this episode hammered home that Maul and Ahsoka are the centerpieces of this episode and, potentially, the series overall.

One of the exciting prospects heading into this season was the potential for overlap with Revenge of the Sith. Sam Witwer in our recent interview spoke about how they got to engage with Revenge of the Sith in very interesting ways, and we couldn’t agree more with Witwer’s verdict. Obi-Wan’s conversation about Dooku’s death situates the episode clearly in the Star Wars timeline. Despite Star Wars being full of prequel content, it’s never really done anything like this in regards to overlapping events across different projects. This was so interesting to see and really changes your perception on some events in Revenge of the Sith, given that the audience knows Obi-Wan was troubled by Anakin’s actions and that Ahsoka was concerned for him across the galaxy. The Siege of Mandalore arc is so intertwined with the third prequel that it has now cemented itself as essential viewing along side Revenge of the Sith in order to fully understand the context of the fall of the Republic and the rise of Darth Sideous and his new apprentice Darth Vader. In many ways, this arc feels like Revenge of the Sith told from another perspective, this time from the eyes of Ahsoka.

This episode had tons of other great parallels to other iconic Star Wars moments and characters. For starters, the similarities to The Last Jedi’s throne room scene were on full display during Maul and Ahsoka’s confrontation. Maul trying to recruit Ahsoka, another force-sensitive apart from her former master, to take down a common enemy was akin to Kylo’s attempts to recruit Rey following the throne room battle. In both scenes, you think there may be a chance for the two to align with one another, before their relationship disintegrates into combat. Speaking of sequel trilogy parallels, Maul’s manipulation of Jesse evoked imagery of Kylo’s usage of the Force to extract information from Rey in The Force Awakens, even down to the same sound effects. Perhaps one of the most unexpected connections to other material in the episode was the appearance of a young Dryden Vos, Paul Bettany’s character from Solo: A Star Wars Story, consulting with Maul and the other heads of Crimson Dawn. The lightsaber duel on the catwalk at the end of the episode felt similar to the duels on catwalks in The Phantom Menace, also featuring Maul.

It would be blasphemous to conclude this review without touching on some of the phenomenal technical and aesthetic aspects on display. As was announced at Star Wars Celebration Chicago, Ray Park returned to the fold once again to do motion-capture work for Maul’s fight scenes. And the work definitely paid off – Maul and Ahsoka’s duel was one of the best The Clone Wars has ever depicted, maybe only bettered by the three way duel between Sidious, Savage and Maul. The animation overall was once again breathtaking, as were the voice performances. Sam Witwer and Ashley Eckstein excel in their respective roles again and these episodes simply wouldn’t be as emotionally resonant without such powerful, commanding performances.

There are now only two episodes left of the final season of The Clone Wars, with the finale scheduled to drop on Star Wars day, aka May 4th. While the series may be approaching it’s end, it’s safe to say that the show is only adding to and cementing it’s legacy as a truly groundbreaking piece of this franchise.

Score: 9/10

Images courtesy of Lucasfilm & Disney+

Star Wars Holocron

EXCLUSIVE INTERVIEW PART 4: Sam Witwer talks The Mandalorian Season 2, Being Up for a Role in Season 1, Mandalorian Culture, and Easter Eggs in the Show

by @holocronJosh, @holocronGeorge, @holocronJulie, and @holocronWilliam for @sw_holocron

Star Wars Holocron recently had the opportunity to speak with Sam Witwer about a range of Star Wars related topics. Part 1 of our exclusive interview focused on the Siege of Mandalore, with Parts 2 and 3 covering Rebels and Solo respectively. In today’s Part 4, Sam Witwer talks about The Mandalorian.

Witwer is a fan favorite among Star Wars fans, so much so that many have pushed for the actor to appear in a live action film or TV show. When asked about whether or not he would be interesting in appearing in The Mandalorian, Witwer revealed that he was originally on a shortlist for a role in the first season of the show:

“I got put on a shortlist on Mandalorian for some role and I thought maybe that was from Dave [Filoni], but then I found out it was actually from casting. Casting came up with the idea. The way they do it, I guess, is they put a bunch of people on a list and then the producers pick someone. So I relayed that to Dave, and I think it was awkward because I was saying “When I’m on the show” and this and that. But what I was actually trying to say was I actually took myself off that list because I don’t want to mess with your show (Laughs). I was trying to say that. I don’t want to mess with the show, nor do I want to take the risk that I’m wrong for the show and then you hire me because I’m your buddy. I was trying to say that but it came off wrong (Laughs). And there was this awkward silent moment. I think I need to text the guy and tell him that’s not what I meant! But what I meant to say was that if [Dave] had a need for me and there’s something I can do for you, you can tell me yourself. I’m not going to try to get in the way. That’s what I was trying to say. Because I don’t feel like Star Wars owes me a damn thing. Star Wars has been very good to me.”

Witwer also talked about how he was a fan of the many Easter eggs and smaller details in the first season, one of which being the reappearance of the Flame Trooper from The Force Unleashed:

“I was really happy to see our flame trooper [from The Force Unleashed] show up in The Mandalorian. That was fun…That was so fun. Because that’s not just a flame trooper, that’s OUR flame trooper. That’s the markings on the armor from Force Unleashed. There’s so many things in Force Unleashed that we designed, so many ideas just like that that I think would be incredible to bring into the cinematic universe. It would be great. But yeah the flame trooper, I definitely smiled at that. I don’t know if… well, look, it’s Dave Filoni, so I have to believe it was done on purpose. (Laughs).”

Witwer also teased the second season of the show:

“There are things that [Dave Filoni] has coming in The Mandalorian Season 2 that are going to blow people’s minds. Because the thing is that Dave and George always had the same instinct when it came to this.”

Witwer elaborated on these instincts that Dave Filoni and George Lucas share, and gave an example:

“And what this is is that they would ask them, ‘Okay we need to tell a story about witches.’ And then they’d sit there and say, ‘Well do we have something like that in Star Wars? What about the Nighsisters of Dathomir. They’re witches.’ Yeah, okay, wait a second now, [George and Dave] go in and look at the designs and look at how it looks and go ‘yeah that fits.’ And sometimes [George and Dave] would be like ‘Oh that doesn’t fit, we actually have to do this instead, right?’”

Witwer also talked about his interest in Mandalorian mythology, which plays a big role in The Clone Wars and Rebels and seen again in the first live action Star Wars show:

“Start them out as passivists and then, you know, have their ancient past be warrior culture. Now, they’re passivists, but then they get corrupted by the war and become warriors all over again. I mean, I remember at the time, all the fans being up in arms about how they were pacifists. And you’re just like, don’t…”Only a Sith deals in absolutes.” Don’t think that people won’t change. That’s how stories work….And with the Mandalorians, it’s not interesting to say they were a warrior culture. What’s interesting is, why are they a warrior culture? Why is that? What drove them to that? How do they think about this stuff? And learning about, even watching The Mandalorian, seeing that that character [Din Djarin] is a way more orthodox, old school, religious type Mandalorian, whereas Pre Vizsla’s the guy who is dipping his toe into the water in terms of dipping into the old ways with Beskar. Not the best Beskar, but Beskar, y’know? They’re manufacturing that armor so that people who join them can start training and have their own set of armor. He built this. You know, he was the guy who was experimenting with that. Whereas, then you jump ahead to The Mandalorian, you know. The Mandalorian has the good stuff. They’ve rediscovered the art of creating the best stuff, creating the best Beskar, you know what I mean? It’s wonderful mythology, but, like, it’s not impressive or interesting if it’s just put in front of you like all at once. You have to build that story and watch it grow.”

We’re eagerly anticipating the upcoming season of The Mandalorian after the first eight episodes were so enthralling and entertaining. Sam Witwer’s inclusion in the show would have been great and we’d love to see an actor with such range and a passion for Star Wars appear in a future live action project soon. This concludes Star Wars Holocron’s 4 part interview with Sam Witwer! May the force be with you all!

Images courtesy of Lucasfilm and Disney+.

Interview was conducted and transcribed on 04/16/2020.

Star Wars Holocron

EXCLUSIVE INTERVIEW PART 3: Sam Witwer talks voicing Maul in Solo, the original version of the scene, and advocating for the role

by @holocronJosh, @holocronGeorge, @holocronJulie, and @holocronWilliam for @sw_holocron

Star Wars Holocron recently had the opportunity to speak with Sam Witwer about a range of Star Wars related topics. While Parts 1 and 2 focused on the Siege of Mandalore and Star Wars Rebels respectively, today’s third part of the interview will focus on Witwer’s experience in bringing Maul back into live-action in Solo: A Star Wars Story.

The production on the second Star Wars spin-off film wasn’t always smooth, but Solo proved to be a hit with fans, many of whom have since petitioned for a sequel. One of the most surprising aspects of the film was the reappearance of Maul, nearly 20 years after we last saw the former Sith Lord in live-action. Witwer talked with us about how he didn’t agree creatively with the decision to cast another actor to voice Maul:

“When it came to Maul in Solo, and I was asked about it, I rang them up. At many times, I’ve said it’s okay for you to go to someone else and that’s happened several times. But with Maul, I actually put my foot down and said ‘Listen. Do what you have to do, but I think you might be making a mistake if you don’t hire me for this’ (Laughs). Because you’re counting on the fans. A lot of fans are going to say I don’t get it, he died in Phantom Menace, and then a lot of other fans are gonna say, ‘Oh with The Clone Wars I get what’s happening here with the Shadow Collective. That’s what’s going on here with the Shadow Collective.’ So since you’re leaning on the fans who understand what the Shadow Collective is, and the way you want to construct the scene where you want to hear his voice and then see him, doesn’t that serve to reason that the fans have to recognize the voice? It’s probably got to be me, and not to mention I’ve been playing the guy for a decade.”

Originally, Peter Serafinowicz, who voiced the character in The Phantom Menace, voiced Maul in the film, which didn’t quite work out as they had hoped according to Witwer:

“[Peter] Serafinowicz has even said that he recorded stuff for Maul and it didn’t quite work the way that they thought it would. That wasn’t actually a decision thing. That was actually someone who was not totally in on the Lucasfilm camp going, ‘Okay who played him on The Phantom Menace? Serafinowicz, grab him.’ He’s such a talented, talented guy and I admire the hell out of his work, but it was not recognizably the character and it wasn’t even recognizably The Phantom Menace character. It was a very different thing and they weren’t getting the right stuff.”

Witwer revealed that the version of Maul in the initial script differed from the version seen in the film. The character even growled in the original version:

“[There were] a lot of things in this script where he growls, he does this, he does that.”

Witwer outlined that he disagreed the the growling and other aspects of the original scene with Maul, and was clear with Lucasfilm that he believed he needed to be brought in for the role:

“I don’t think those are right and I can tell you why I don’t think those are right. I can tell you what I think he should say instead (Laughs). So I did run the math and said in this case I’m actually going to play a card I haven’t played with Lucasfilm before and say, ‘You’re making a mistake if you don’t go for me.’ Now, do whatever you have to do, try out whatever you have to try out, but I think you’re making a mistake if you don’t get me in there…There were people at the company who were saying, ‘No, you made a mistake. You actually have to go for this guy. He’s the one who’s been developing the character under George Lucas and Dave Filoni…’ as I was told, one of the producers on Solo was just not aware of The Clone Wars. There were people at Lucasfilm, several camps that were aware of The Clone Wars who said from the very beginning, ‘No! You have to get Sam.’ There was a group at ILM that was pushing it. There was a group in the sound department that was pushing for it. There were a lot of different people trying to make them aware. And then once the Maul thing wasn’t working and they were asking the question of ‘Do we do this? Do we not do this?’ That’s when those voices came out loud and clear and said ‘No, no, no. You can make it work but you have to get this guy and you have to get Dave Filoni on board. You can’t actually make it work without these guys.’ That’s how I understand it all went down. And again, nothing against the producer who’s call that was. They thought they were doing their due diligence by looking through the production notes of The Phantom Menace….Once they realized damn, we didn’t totally research that, they brought me on board…”

Once being cast in the role, Witwer was glad that the creative team behind Solo incorporating his thoughts on how the character should be portrayed in the film:

“…they were very happy to hear what I had to say about what he should be wearing, what chair he should be sitting in, what lightsaber he should have, why he laughs, all that stuff. They were absolutely open to it. When Ron Howard discovered that Clone Wars is George Lucas’ baby, he was very happy to have me come in and continue the George version of the Maul character.”

During the making of Solo, Maul’s scene changed dramatically after the cast and crew did a reshoot, per Witwer and Dave Filoni’s request:

“There was stuff that had to happen once I got hired. There was a reshoot that had to happen because people like me and Dave Filoni were letting them know there were a lot of details that weren’t consistent. That’s not me saying these people didn’t know what they were doing because they were making a movie and doing it at lightspeed. Ultimately, they did the right thing because they hired the people who were the experts on this like Dave Filoni and, I dare say, me, because I’m kind of an expert on what we’ve been doing with Maul for the past decade, y’know? They were very open to hearing what we had to say and, again, they were so open that they did a reshoot. Like I said, you can have the most talented people in the world and people can still drop the ball for a second. It’s always the willingness to go and pick it back up that I give people credit for. I don’t want to say that what Serafinowicz was doing was bad. It just didn’t sound recognizable as the character from The Phantom Menace nor the character from Clone Wars. It was a totally different thing. They needed people to recognize the voice, so there it is.”

Witwer was also clear that he has more behind the scenes stories about playing Maul that he couldn’t yet reveal without getting into trouble with Lucasfilm:

“Look, there’s stories about Maul I won’t be able to tell for another 20 years. There’s just stories I can’t go anywhere near until about 20 years have passed and I think people are going to be very shocked when I eventually tell those stories (laughs). They’re related to all these things. All kinds of stuff. But you can’t tell those stories now. In 20 years, when I’m fully an old man and don’t care about anything, I will say things that will blow people’s minds and make national news and stuff. But no, I’m not that stupid yet (Laughs).”

Ultimately, Witwer saw firsthand the immense challenges in bringing Maul into live-action again, even more so than reintroducing the character in The Clone Wars:

“There were certain challenges in terms of, say, bringing Maul into Solo for the 3 minutes that he’s in it than there were creating spider-Maul mad in the cave, which is a way wilder idea than just putting Maul in Solo, right? Maul with spider legs and being insane and this whole mythology of these legs created of garbage and being animated by the dark side of the force and all that.”

Peter Serafinowicz did a great job in The Phantom Menace and, as Witwer outlined, is an incredibly talented actor. However, it’s safe to say that Witwer was the right choice for the role as he’s been the voice of Maul for 10 years now across multiple different animated shows. It’s a sign of a good studio and talented individuals to recognize their mistakes and correct them accordingly. The road to get to the final product for the Maul scene and, in general, Solo: A Star Wars Story wasn’t always easy, but Lucasfilm and co. definitely created a film that many people will continue to enjoy for years to come.

Stay tuned for more of our exclusive interview with Sam Witwer! 

Images courtesy of Lucasfilm, Disney+, and The Star Wars Show.

Interview conducted and transcribed on 04/16/2020.

Star Wars Holocron

EXCLUSIVE INTERVIEW PART 2: Sam Witwer talks Rebels, Maul’s state of mind, and initially playing Kanan

by @holocronJosh, @holocronGeorge, @holocronJulie, and @holocronWilliam

Star Wars Holocron recently had an exclusive interview with Sam Witwer, who plays Maul, about a variety of different topics, one of which being the Siege of Mandalore, the focus of Part 1 of our interview. In today’s Part 2, we shift gears to Witwer’s involvement in Star Wars Rebels. Witwer reprised his role as Maul on the show, as well as voicing Emperor Palpatine. When asked about Maul’s reappearance in Rebels, Witwer had this to say about the behind the scenes process of bringing back the iconic character once more:

When we did Rebels, there was definitely a sense of, because we had gotten away with bringing him back on The Clone Wars and the mad version of Maul and then building him up from there, we felt confident that fans were ready for a new, older version of the character. We felt that if we don’t do something new with the character, then we’re failing people and really letting them down. That’s the way we always have to think about it, and it comes straight from George [Lucas]. You always have to push things in the direction of what have people seen and what haven’t they seen before. So with Rebels, we were doing this extremely sincere, kind old-man version of Maul, which gives the fans the option of trying to decide how much of that is an act and how much of that was really his true age and where he is at this point in his life.”

Fans know all about how Maul’s character seemed to change in the time between The Clone Wars and Rebels, but his anger, particularly for his old nemesis Obi-Wan Kenobi, is still there.

Witwer also revealed that his presence on Rebels was originally greater than just playing Maul and Palpatine:

“Rebels, for a second according to a few people at Lucasfilm, was called ‘The Sam Show’ because I was Kanan. And then they found Freddie [Prinze Jr] after they heard Freddie’s audition. I’ve got to be honest, I had a certain take on the character, and what I was doing was not better than what Freddie was doing. What Freddie was doing was better than what I was doing in my opinion, and I realized that when I saw it. I was like, wow, this guy is absolutely that character. I think that’s the way to go.”

Witwer also spoke of his fondness for the introduction of the the TIE Defender from Legends into canon with Rebels:

“…the TIE defender showed up in Rebels. I remember having some talks with some people behind the scenes, just asking them like, ‘So that’s gonna show up. What is that? And someone who I will not name who worked on it was like, ‘That’s a different philosophy how you bring the galaxy under heel.’ You have the Death Star on one side. And then you have a different military project, where these characters think that all you need are really great fighters. Kind of working out like what are the rebels mostly using to great effect? They use starfighters. So let’s just beat their starfighters. That’s all we gotta do. That’s all we gotta do. Let’s create starfighters that they can’t compete with. Because right now our starfighters aren’t as good. They’re cheaper. We can put out millions, trillions of starfighters and they’re faster and more maneuverable, but they’re fragile. It’s an engine with a gun strapped on it. So, what if we really built expensive, really great fighter? You know the technological might of the Empire. And just beat them that way, that was their perspective. And the Death Star people were like, ‘No if you have a Death Star you don’t need to fight anyone. They’ll just surrender. So why spend all that money developing all these fighters. And, oh well, the Rebellion or anyone who might resist us, there may not be a lot of them, but we don’t know where they are. We’d have to pretty much cover the galaxy for those things. And that would be expensive. And we’re already working on the Death Star. Come on, man, ya know?’ And, like, this is all explained to me. And is that ever said in Rebels? Not really, but it’s hinted at. Because, in Rebels, that was what was going on behind the scenes, so you feel that conflict in the Imperial hierarchy with different philosophies of how to bring the galaxy to heel.”

Witwer provided some great insight into the shifting mentality of Maul in Star Wars Rebels and some information about the making of the show, including the fact that he was once going to play Kanan. Stay tuned to our Twitter account and blog for more of our exclusive interview with Sam Witwer!

Images from Lucasfilm, Disney+, and The Star Wars Show

Interview was conducted and transcribed on 04/16/2020

Star Wars Holocron

REVIEW: Star Wars: The Clone Wars Season 7, Episode 9 – “Old Friends Not Forgotten”

by @holocronGeorge and @holocronJulie for @sw_holocron

A Lucasfilm Limited production. The red Clone Wars logo. John Williams’ classic score. Within moments of the start of the “Old Friends Not Forgotten,” it was abundantly clear that this episode of The Clone Wars would be a special installment in the Star Wars saga. In the first episode in the Siege of Mandalore arc, Anakin and Obi-Wan are stationed on Yerbana when they receive a message from Ahsoka and Bo-Katan asking for their assistance to overthrow Maul on Mandalore.

Let’s start with the incredible first few minutes of the episode, where not only were fans treated with the aforementioned score and logos, but the audience is plunged into events of the war taking place right before Revenge of the Sith. The narrator’s booming voice claims, “Outer Rim under siege!” and we are given some great shots of Aayla Secura on Felucia and Plo Koon on Cato Neimodia that evoke imagery from Order 66. Although it’s been known for quite a while, after the release of some of the final season’s promotional material, that this season would lead into and perhaps overlap with Revenge of the Sith, seeing this actualized in this episode added a certain relevance and impending sense of doom to the events on screen. Making it clear to the audience that the Siege of Mandalore will begin right before and likely overlap with the events of Revenge of the Sith feels akin to the added tension and suspense Rogue One exhibited by being a prequel immediately set before A New Hope. Little details throughout the episode, such as Anakin and Obi-Wan’s Jedi robes and the armor worn by the Clone Troopers, that mirror the aesthetics seen in Revenge of the Sith are really well thought out and, once again, implicitly convey to the audience the importance of the proceeding events.

As the episode begins, Anakin, Obi-Wan, Commander Cody, Captain Rex, and groups of Clones are engaged in combat with Separatist forces on Yerbana. This sequence highlights one of the many strengths of this episode in pacing. In avoiding immediately throwing the audience into an extended action sequence, this scene excels in purposefully slowing the pace down, allowing the characters to discuss and the tension to build. This whole episode benefits from such pacing in that, while the action set pieces in the show are incredible at times, the best moments are grounded in character dynamics and narrative. The more deliberate pacing of the episode is perhaps best exemplified by the incredible moment of Anakin approaching the Separatists on the bridges, feigning his surrender while Rex and his battalion organize an attack. The imagery of Anakin approaching a massive assembly of opposing forces from the distance was reminiscent of Luke’s approach toward the First Order during the Battle of Crait in The Last Jedi, another great moment of connectivity shown in this season of The Clone Wars. This whole sequence resolved nicely, with Anakin’s ability and arrogance on full display.

The crux of the episode’s central plot, however, is where it got truly interesting. Ahsoka’s reformed alliance with the Republic and the Jedi was done excellently, highlighting the extent to which Ahsoka was hurt and changed due to the betrayal of the Jedi, in addition to her journey since leaving the Order that has reshaped her perception on Jedi values and the broader war. Despite her reservations, her relationships with Anakin and Rex withstood this tumultuous time in her life, moments in the episode that felt well earned. The addition of the Clone Troopers who purposely painted their helmets as a homage to Ahsoka and led by Captain Rex was another nice touch that showed she still has positive, meaningful connections from her time as a Jedi. Moreover, even though she may not be a Jedi in name anymore, her actions and those that choose to follow her demonstrate that Ahsoka is as much of a Jedi as anyone else in the Order. Ahsoka saying goodbye to Anakin was another powerful moment as this was probably the last time they saw each other until their convergence in Star Wars Rebels. All of these sequences perfectly established Ahsoka’s state of mind in this episode and laid the emotional foundation for the events to come.

Next came the beginning of the assault on Mandalore. Director Saul Ruiz did an amazing job with the action in this episode as Ahsoka and the Clones land on Mandalore to try to find Maul. This is also helped by the stunning animation that is once again on full display this season. The fluidity of the camera movement made it easy for the audience to see exactly what was going on in a battle that, right from the very beginning, had many moving parts and a lot going on visually. It was also fun to see characters like Gar Saxon from Star Wars Rebels, make an appearance in this episode, foreshadowing his relevance during the Imperial era.

After Bo-Katan corners Prime Minister Almec, a pawn of Maul’s overarching plan, she quickly realizes that she played right into the former Sith Lord’s plan. Ahsoka leads the troopers down a dark tunnel before eventually being cornered by Maul’s foot soldiers. Surrounded and seemingly captured, Maul walks out from the darkness, saying “I was hoping for Kenobi. Why are you here?” Maul’s carefully executed plan was done in the hope that he would lure Kenobi in and finish him once and for all. However, this is not the case. This final moment of the episode is a great cliffhanger that sets the stage for the rest of the Siege of Mandalore arc. Sam Witwer, who Star Wars Holocron recently exclusively interviewed, was once again on his game, delivering this sole, important line perfectly. Moreover, the rest of the voice acting cast were also putting in great performances.

One of the few critiques of this episode pertains to the portrayal of Anakin, which is a more overarching concern related to the show overall. Matt Lanter’s voice work of Anakin has always been exceptional, adding depth and nuisance to the dialogue. And, as do many of the voice actors on the show, Lanter pays homage to his live-action counterpart, Hayden Christensen, while also forging his own version of the character. The issue, therefore, is not at all related to Lanter’s performance, but, rather, the personality, tone, and attitude of Anakin in The Clone Wars that diverges from the character’s depiction in Attack of the Clones and Revenge of the Sith. The lighter, more friendly, jovial Anakin makes sense in the early days of a show geared toward a wide age range, but, now that the show is in its seventh season nearing the dark events of Revenge of Sith, it would be nice and more consistent with the broader themes of the prequel trilogy if we saw a darker side to Anakin more frequently. The Clone Wars in general offers some moments of darkness in Anakin, such as mercilessly beating up Clovis. However, for the most part, the show has always refrained from delving into Anakin’s dark side the way Episode II and III did. So, when we see a playful Anakin that doesn’t quite match up with the troubled Anakin we see shortly after in Revenge of the Sith, it creates so tonal inconsistencies.

This is an episode that many are calling one of, if not the best of the show thus far. This is the most cinematic The Clone Wars has ever felt and with an urgency to the story, top notch visuals and voice work, and a great cliffhanger, this episode truly shined in every department. Part 2 of the Siege of Mandalore arrives next week and we can’t wait.

Score: 9.25/10

Images courtesy of Lucasfilm and Disney+

Star Wars Holocron

EXCLUSIVE INTERVIEW PART 1: Sam Witwer talks The Clone Wars, Siege of Mandalore, Maul, and Honoring George Lucas’ Legacy

by @holocronJosh, @holocronGeorge, @holocronJulie, and @holocronWilliam

Star Wars Holocron recently sat down for an exclusive interview with Sam Witwer, who plays Maul in The Clone Wars, about a variety of different topics, one of which being the Siege of Mandalore. The final Clone Wars arc, which began today, is the culmination of 7 seasons of the show that George Lucas worked on extensively. When describing what he enjoys about the final arc, Witwer had this to say:

“The pacing is really great. The editing is fantastic. The cinematography is better than anything we’ve ever done. The sound design too. The music is Kevin Kiner’s best stuff on The Clone Wars I think. It’s really, really good. I think all the actors are on point, and the animation is awesome too. It’s interesting, because, in making season 7 of The Clone Wars, there was a little bit of a ramping up process because they had to get people back into the room working on the show again and they had to relearn how to do the show. The Bad Batch, for example, was an arc that they already had story reels for and all this stuff. So there were some alterations, and certainly the animation was new and stuff like that, so you can see that it’s lit better and everything. Joel Aron was killing it and the animation was better, but ultimately, Bad Batch is very aligned with the old, years ago Clone Wars. Then you have the next arc, which was getting them acclimated. Again, not all the work was done on the next arc. It wasn’t all set in stone yet. So then you have everyone coming in and throwing in a bunch of new stuff. Then with this final arc, it’s the brand new version of The Clone Wars. It’s a different animal, and you can really feel that because, aside from the broad story strokes that Dave [Filoni] and George Lucas made from having all these conversations about what the story was going to be about, the work hadn’t been done on the final arc. So, it was everyone having ramped up during the first two arcs, but then being freed to do what they had to do to make the best version of the show. When I say it’s the best Clone Wars, I mean this is the most modern statement of what The Clone Wars crew is capable of.”

Witwer last played Maul in Star Wars Rebels, another animated show from the mind of Dave Filoni. However, the Maul in that show is considerably different from The Clone Wars version of the character. When asked how he prepared to come back to that version of the character, Witwer said:

“When it came to coming back to do The Clone Wars version of Maul, I had to rewatch a lot of the Clone Wars stuff and see where he was at. But then we’re propelling him out of Son of Dathomir, which we wish we were able to do, but we didn’t get to do. It’s too bad, but those events, according to me and Dave and George Lucas, did occur.”

However, Witwer was clear that the Maul we see in the Siege of Mandalore is different from his previous appearances on The Clone Wars:

“There’s an anxiety that this character has in the Siege of Mandalore that we’ve never really seen from him before, so you have Maul at the height of his power, but also working some things out and trying some new things that, frankly, he may not be very good at.”

However, not everything about Maul in this arc will be objectively clear:

“I really can’t wait to see how the fans react and see what their interpretation of that is going to be because there’s plenty to interpret. There’s plenty of fan debate that I think may come in terms of what Maul’s intentions are in this next arc…One of the things I’ve learned from Dave and George is that you really do, as much as you can, need to let the fans interpret things.”

Witwer went on to explain how friendly disagreements between he and Dave Filoni led to interesting moments in the Siege of Mandalore arc:

“There’s some stuff that happens [in the Siege of Mandalore arc] that I wasn’t aware of. When I read the script, I was like ‘Wow, okay. This is what happens. This is how the war ended and these are the specifics. This is what Maul was trying to do’. I was floored when I read the script. I was very surprised and very interested, and the fun of that was having disagreements with Dave as to where [Maul’s] heart is at (Laughs). That’s the fun of working on this stuff. George and Dave are the overall story guys who say ‘here’s how the story goes. Here’s the shape of it and this is what we’re trying to say.’ Then it’s my job to push against the boundaries of that story as much as I can so that little things make their way into the episode that spark debate. That’s at least what I think my job is, y’know? So what will happen inevitably and what’s happened many times in the past is that me and Dave will have a disagreement as to what’s going on with the character, and then we’ll be doing takes and both agree on the take that we liked. And it’s a fascinating thing because he’ll hear something different in it than I do. I’ll say ‘Well no, clearly the character is saying this when he says this’. And then Dave goes, ‘Well no, I wrote it. Clearly when he means this and that’s in the take’. And then I go ‘I think my interpretation is in the take’ and then [Dave] goes ‘Then that’s the take’ (laughs). And that’s the one [take] because people get to import their own beliefs in what is going on with this character.”

Witwer also spoke about how the Siege of Mandalore feels like a Star Wars film, with his preparation for this stretch of episodes more akin to his live-action work than previous voiceover work:

“Funny enough, Dave Filoni’s live action experience definitely played into this final arc, because this final arc is more of a film read in terms of the vocal stuff that I was doing. I was like, ‘This is how I would do it if I were shooting it and Ray Park was on the set. This is how I would go about it.’ By the way, Ray does a great job in this season.”

With the Siege of Mandalore, Dave Filoni and co. are finishing a Star Wars project that George Lucas himself started over a decade ago, and one that he truly cares about to this day. Because of this, Sam Witwer (Maul) has high hopes that Lucas will like the final arc:

“My main priority is this last Star Wars that has his fingerprints on it, my main priority is that he likes it. More than anyone else, I just hope that George likes it.“

Moreover, Witwer revealed that Lucas has been staying in touch with Dave Filoni, a protégé of his, and has been giving him his thoughts on the episodes of the final season he has watched so far:

“George [Lucas] has been calling Dave and giving him nice little comments on the episodes. I really, really hope we get some positive feedback from the maker himself when this comes out. This show has such a special place in George’s heart. He was so happy when he was making this show, and we were so happy to be implementing it for him…you really did just get a directive from George, and that directive got discussed and translated by Dave Filoni, and then it went right to the actors, animators, lighters, everything. It just got done. That’s the fun of watching the Siege of Mandalore, because it just feels pure in its intention… It’s so cool that this is the last George Lucas produced Star Wars. The last Star Wars that has George’s fingerprints on it. I truly loved to hear that George was reacting well to [the final season of The Clone Wars]. And I’m happy to hear that he likes how Clone Wars is going so far this season and I really hope he likes our finale because that’s where it all counts.”

Clearly, the cast and crew of the show are hoping that George Lucas himself continues to like the new season of The Clone Wars. Given the quality of the first episode in the arc, “Old Friends Not Forgotten,” we wouldn’t be surprised if this is the case.

Stay tuned to our twitter account and blog for more from our exclusive interview with Sam Witwer, where he talks about Solo: A Star Wars Story, The Mandalorian, The Force Unleashed, and more!

Images courtesy of Lucasfilm, Disney+, and The Star Wars Show

Interview was conducted and transcribed on 04/16/2020. Full transcription will be released soon.